PhotoBooths FAQs

The 360º Slow Motion Effect is based on an advanced cinematic technique that captures images at high speed and plays them back at a reduced speed, achieving a smooth and detailed result. In this case, the camera records at a much higher frame rate than standard (typically 120 fps or more), allowing the action to be slowed down without losing sharpness or continuity in motion.

Additionally, by combining the slow-motion effect with a 360º circular camera movement, an immersive and dynamic perspective is achieved, highlighting every gesture, expression, and detail in real time. This type of recording creates a sense of drama and spectacle, akin to the film and advertising industries.

Post-processing can include additional effects, such as smooth transitions, lighting adjustments, and graphic overlays, resulting in visually striking content. The combination of these elements makes 360º Slow Motion an immersive and highly shareable experience on social media, elevating the impact of any event or wedding.

The systems that utilize the 360º Slow Motion Effect are 360º platforms or 360º photo booths, which typically have a diameter of 80cm to 100cm, and the 360º Track, a rail system with a 4m diameter that allows this effect to be applied to large groups or objects.

Initially, the effect was achieved using DSLR cameras, but over time, GoPro cameras or smartphones became popular thanks to the advanced features and quality of modern mobile device cameras.

Additionally, 99% of the software used to create this effect is based on iOS operating systems, which is why iPhone or iPad cameras have become widely used without compromising the quality of the final result.

Generally, the physical setup—such as a 360º platform—takes approximately 45 minutes to install, while a 360º Track system requires about 60 minutes for setup.

As for the software, it is pre-programmed in advance, so it does not impact the installation time of the systems.

Bullet Time is an audiovisual technique that creates a temporal slowdown, allowing viewers to appreciate very fast movements or events in detail.

This technique is achieved by setting up a series of fixed cameras placed on the same plane, with minimal space between them. The cameras are aligned so that they all point at the subject or object from different angles. They capture multiple photographs, which are then assembled into a sequence of frames. The images are accelerated at different frame rates per second (fps) to achieve the desired slowdown effect, creating the illusion of the camera moving laterally while keeping the subject or object in focus.

The result is a “freezing” or “freeze time” effect, as all the cameras take a photograph simultaneously in perfect synchronization. This captures a lateral or vertical movement of the exact same frame, creating the iconic “time freeze” illusion.

Yes, the “freeze” effect is the original effect, popularized in The Matrix movie saga. However, modern software now allows for adding a “delay” or “lag” to the capture of each camera or even grouping shots from different sets of cameras.

This makes it possible to achieve the “Jump and Freeze” effect, which involves using two sets of cameras. In the first set, the cameras have a delay in their shots, creating a motion effect, while the second set captures images simultaneously, resulting in a final sequence that starts with movement and ends with the freeze effect.

As the name suggests, Jump and Freeze captures the moment of a jump: the slight movement at the start of the leap and the freeze mid-air. This effect is also highly effective when applied to movements of dresses with trains, capturing their flow and elegance in a stunning way.

There is no maximum number of cameras that can be used, as the more cameras there are, the greater the number of frames in the resulting video and the smoother the movement in the final result, thanks to a higher frame rate and more fluid motion.

However, there is a recommended minimum number of cameras: 12. This is because it is advisable to always use multiples of 24 fps.

The number of cameras used in Bullet Time is determined more by budget considerations than by technical limitations.

There is no exact installation time for a Bullet Time Photo Booth, as it depends directly on the number of cameras to be installed and calibrated, and indirectly on the environment.

The cameras are installed on a horizontal or vertical plane, and the calibration of each camera is what slows down the process. Each camera must be adjusted with millimeter precision using a physical template as a guide, ensuring the same parameters are applied to all cameras.

The more cameras there are, the longer the calibration process takes.

It’s also important to differentiate between outdoor and indoor installations, as camera calibration must be done under consistent conditions. For example, if one set of cameras is calibrated under direct sunlight while another is calibrated under cloudy conditions, the calibration results will be poor.

Initially, the cameras were connected via USB hubs, but computers typically have a limit of 13 devices per hub for optimal performance. While it’s possible to bypass this limitation in the computer’s BIOS, slight delays were often detected during simultaneous triggering, especially as the number of cameras increased.

The most effective solution is the use of Raspberry Pi’s connected in a network, with each Pi controlling a group of 4 cameras. This ensures optimal performance and precise synchronization during simultaneous triggering.

Bullet Time is an audiovisual technique that creates a temporal slowdown, allowing viewers to appreciate very fast movements or events in detail.

This technique is achieved by setting up a series of fixed cameras placed on the same plane, with minimal space between them. The cameras are aligned so that they all point at the subject or object from different angles. They capture multiple photographs, which are then assembled into a sequence of frames. The images are accelerated at different frame rates per second (fps) to achieve the desired slowdown effect, creating the illusion of the camera moving laterally while keeping the subject or object in focus.

The result is a “freezing” or “freeze time” effect, as all the cameras take a photograph simultaneously in perfect synchronization. This captures a lateral or vertical movement of the exact same frame, creating the iconic “time freeze” illusion.

Light Painting is a photographic technique that uses long exposures to capture the movement of a light source in the dark, creating stunning and artistic visual effects. It involves moving lights—such as flashlights, LEDs, or even fire—while the camera’s shutter remains open for several seconds. The result is an image where light trails form shapes, letters, or dynamic patterns.

To create Light Painting, you’ll need:

• A camera with manual shutter control.

• A tripod to avoid vibrations.

• A light source (e.g., flashlights, LEDs, or programmable light tools).

The ideal settings typically include:

• Long exposure mode (Bulb or Manual): The shutter is left open for an extended period (between 2 and 30 seconds or more).

• Low ISO sensitivity: To reduce noise, use an ISO between 100 and 400.

• Medium or small aperture: An f-stop between f/5.6 and f/11 helps control depth of field and prevents overexposure.

The effect can be enhanced by using different light colors, filters, or tools like fiber optics, programmable LED bars, or devices that synchronize lights with music or movement.

Light Painting is widely used in events and photo booths, where guests can interact with the light and create spectacular, real-time images.

Light Painting applied in a Bullet Time or Time Freeze multi-camera system combines two advanced cinematic techniques to create stunning visual effects. It involves using multiple cameras arranged in an arc or circle around the scene to capture the same moment from different angles, while incorporating the Light Painting technique with long exposures and moving light sources.

Multi-Camera Setup (Bullet Time / Time Freeze)

• Multiple DSLR or mirrorless cameras are used, synchronized through software-controlled triggers.

• The cameras can fire simultaneously to freeze the moment or in sequence to create a slow-motion camera movement effect around the subject.

• An arc, circle, or custom arrangement is used depending on the desired effect.

Application of Light Painting in Bullet Time

• Work is done in low-light conditions to maximize the effect of moving light sources.

• Instead of a continuous exposure (as in traditional Light Painting), each camera captures a specific frame with an exposure long enough to record the movement of the light.

• Programmable LEDs, colored flashlights, or fiber optics can be used to draw patterns in the air around the subject before the shot.

• Optionally, the lights can be synchronized with a DMX system to vary intensity and color in real time.

Post-Production and Composition

• The software processes the images captured by each camera to align them and generate the Bullet Time animation.

• The shots can be combined in editing to emphasize 3D light trails and enhance the visual continuity of the effect.

• Additional digital effects can optionally be applied to improve the fluidity of the light movement in the scene.

This technique creates a striking visual effect where the light appears to float and surround the subject in a completely static scene or with dynamic 360º movement, achieving an immersive and cinematic result.

There is no exact installation time for a Light Painting Bullet Time Photo Booth, as it depends directly on the number of cameras to be installed and calibrated, and indirectly on the environment.

The cameras are installed on a horizontal or vertical plane, and the calibration of each camera is what slows down the process. Each camera must be adjusted with millimeter precision using a physical template as a guide, ensuring the same parameters are applied to all cameras.

The more cameras there are, the longer the calibration process takes.

It’s also important to differentiate between outdoor and indoor installations, as camera calibration must be done under consistent conditions. For example, if one set of cameras is calibrated under direct sunlight while another is calibrated under cloudy conditions, the calibration results will be poor.

Initially, the cameras were connected via USB hubs, but computers typically have a limit of 13 devices per hub for optimal performance. While it’s possible to bypass this limitation in the computer’s BIOS, slight delays were often detected during simultaneous triggering, especially as the number of cameras increased.

The most effective solution is the use of Raspberry Pi’s connected in a network, with each Pi controlling a group of 4 cameras. This ensures optimal performance and precise synchronization during simultaneous triggering.

The space required for a Light Painting Bullet Time installation depends on the Bullet Time setup, the number of cameras, and the type of camera lenses used.

Generally, with standard lenses, an 18-camera Light Painting Bullet Time installation requires a space of 5×4 meters to accommodate the camera setup, the shooting area, and the storage area for the light painting tools used by the Light Painter.

For a 360º Light Painting Bullet Time installation with standard lenses, a space of 7 meters in diameter is needed to fit the camera system and light painting tools.

Light Painting is a photographic technique that uses long exposures to capture the movement of a light source in the dark, creating stunning and artistic visual effects. It involves moving lights—such as flashlights, LEDs, or even fire—while the camera’s shutter remains open for several seconds. The result is an image where light trails form shapes, letters, or dynamic patterns.

To create Light Painting, is needed:

• A camera with manual shutter control.

• A tripod to avoid vibrations.

• A light source (e.g., flashlights, LEDs, or programmable light tools).

The ideal settings typically include:

• Long exposure mode (Bulb or Manual): The shutter is left open for an extended period (between 2 and 30 seconds or more).

• Low ISO sensitivity: To reduce noise, use an ISO between 100 and 400.

• Medium or small aperture: An f-stop between f/5.6 and f/11 helps control depth of field and prevents overexposure.

The effect can be enhanced by using different light colors, filters, or tools like fiber optics, programmable LED bars, or devices that synchronize lights with music or movement.

Light Painting is widely used in events and photo booths, where guests can interact with the light and create spectacular, real-time images.

A conventional or static Light Painting Photo Booth is set up in approximately 50 minutes.

The space required for a Light Painting installation is approximately 4×3 meters, which includes the area for the single-camera setup, the shooting space, and storage for the Light Painting tools.